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La proporción áurea

El plástico debe someter su emocionado sentir a la organización razonada del NÚMERO que lo depura y civiliza, haciéndolo apto a la obra de arte, para que la verdad brille como discreta y verídica joya. El número crea orden, el orden ritmo, el ritmo engendra armonía. El plástico usa como lenguaje transmisor la línea, la forma, el color; estos elementos están en la naturaleza dispersos y latentes, su adaptación en el arte supone elaboración: número, geometría, ritmo. El...
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Photo of Waldemar Hernández Puerto Rico

La proporción áurea

El plástico debe someter su emocionado sentir a la organización razonada del NÚMERO que lo depura y civiliza, haciéndolo apto a la obra de arte, para que la verdad brille como discreta y verídica joya. El número crea orden, el orden ritmo, el ritmo engendra armonía. El plástico usa como lenguaje transmisor la línea, la forma, el color; estos elementos están en la naturaleza dispersos y latentes, su adaptación en el arte supone elaboración: número, geometría, ritmo. El plástico se sitúa espontáneamente en el eje de las cosas que lo rodean y así descubre la Simetría y también la Asimetría; relaciona los tamaños, sus equivalencias, las Medidas y las Proporciones de esas Diferencias. La Proporción es la RELACIÓN de dos medidas diferentes; de ello dedujo el número que representa y descubre la proporción áurea. La proporción áurea es el EQUILIBRIO DE LAS DIFERENCIAS. Es además, mesura, economía, simpleza. Esta proporcionalidad de medidas diferentes es perpetua entre objetos cultos geométricamente y se llama PROPORCIÓN ÁUREA, cuyo símbolo es el número de oro = 1.618. El número de oro en geometría es la Proporción Áurea. El número de oro surge de la serie de Fibonacci [1-1-2-3-5-8-13-21-34…], como símbolo de la constante relación armónica entre magnitudes diferentes. Se adoptó como símbolo de la Proporción Áurea la letra griega PHI (). PROPORCIÓN ÁUREA =  = 1.618 = NÚMERO DE ORO. Este número inimaginable es uno de los mayores misterios de la creación. Constituye uno de los moldes constructivos de la naturaleza. El número PHI () se prodiga inexplicablemente en las más diversas contrucciones vivas: minerales, vegetales, animales y cósmicas. ¿Cómo hallar la sección áurea? Digamos que sólo existe un punto que divida una línea en dos segmentos desiguales, de modo que la proporción del menor respecto al mayor sea comparativamente igual a la medida del segmento mayor respecto a toda la línea. Para hallar ese punto basta dividir la longitud total de la línea por phi (1.618). Los arquitectos clásicos hallaron que el “rectángulo áureo”, el más bello proporcionado, es aquel en el cual la relación entre la altura y la anchura da como resultado el número phi (1.618). La proporción áurea fue llamada en el renacimiento la Divina Proporción.
La exposición " ÁUREA En Rojo Blanco y Negro" nos presenta 14 obras que nos revelan, en la plástica del artista Waldemar Hernández, este molde constructivo de la naturaleza: la Proporción Áurea o la Divina Proporción.

"Creo y pinto como pienso, no como siento". Waldemar Hernández

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